Showing posts with label Michael Liebmann. Show all posts
Showing posts with label Michael Liebmann. Show all posts

Friday, 21 June 2013

Love For Sale at the Belfast Book Festival



Last week was a busy week...
Work, The All Ireland Performing Arts Conference, the kids, Castleton Lanterns, a wee genealogy project and co-producing The Break Musical at Pick N Mix. Somehow I managed to find time to go and see Love For Sale at the Grand Opera House (part of the Belfast Book Festival).  


Adapted from a short story 'Love for Sale $17.50' by Charles Bukowski, Black Egg presented this odd and slightly unnerving story of a man who falls in love with a mannequin.  I'm sure it was a difficult sell, but I like weird things, so off I went, dragging along the lovely Drew Dillon to accompany me.

James Doran tells the story of Robert, (Michael Liebmann) who has always had a thing for dolls. He limits his desires to his sexual fantasies until by chance he meets Stella, standing in the window of a junk shop... 
He offers the owner a price and he brings her home.  This relationship is obviously quite odd, and the audience is slightly unnerved as Robert stands he in the middle of his living room, talking to her and touching her as if she is not an inanimate object.  There is some nervous laughter in the audience and a few baffled looks.  With interruptions from his friend (Ciaran Nolan) and female lover (Jo Donnelly), he hides Stella away so they can't see.  He turns down drinks in the pub and does not want his girlfriend to stay over.  



“...there were advantages – he didn’t have to take her to dinner, to parties, to dull movies; all those mundane things that meant so much to the average woman. And there were arguments. There would always be arguments, even with a mannequin.”



He falls more in love, he dresses Stella up, talks to her, makes love to her. Eventually he realises that he shouldn't be ashamed of her and decides to tell his girlfriend, when all hell breaks loose.  The really lovely thing about the play is the direction by Fionnuala Kennedy and Paul Caddell, which subtly leads the audience's emotions in the opposite direction from where they started.  At the beginning of the play, we are disgusted by Robert's obsession, by the end we are rooting for him.  In the fight with his girlfriend, it's her that appears unhinged, not Robert, even though if this happened in real life, we would all react in the same way she does.  

We were all wondering if, in fact, we all wouldn't like a Stella in our lives? 

Karen


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Thursday, 1 November 2012

Ghosts of Drumglass


On Monday I went to see Ghosts of Drumglass by Kabosh, a site specific theatrical experience in Drumglass Park, known to most as Cranmore Park. Given that I often walk through Cranmore Park on my way home and my kids play there, I was looking forward to seeing what scariness Kabosh would come up with.  

So the story goes that the Musgrave family died with the passing of the last remaining child, Henry. From a family of 11, no descendants were produced to carry on the blood line. In the darkness of the park, the ghosts of the past threaten to fragment the peace of the present that eludes them. The ancient trees of Drumglass surrender the secrets of the Musgrave family to those who trace the steps of the dead. 

When we first arrived we were split into two groups and led into the toilets, first the ladies then the gents.  With hidden performers banging inside the cubicles, blood dripping from doors, incense and sinks filled with horrible things, we knew we were in for an interesting experience.  We were led around the park by Jimmy Doran, playing Mr Musgrave and by some volunteer guides.  The soundscape was excellent, particularly in the playground scenes.  Children's voices and strange shrieking poured from the play area, while swings swung of their own accord, toy animals moved and roundabouts spun.  I think this was the most effective part of the play and it was suitably spooky.  The start of the play seemed to take a while to get going. I found it a little difficult to follow Musgrave's setting of the scene, possibly because it was quite long-winded.  More likely it was because I was a bit nervous that a hand was going to grab me from the plughole of the sink I was standing against...                 

Ghosts of Drumglass was a really nice, accessible fun way way to spend a Monday night.  Jimmy Doran and Michael Liebmann were great as the main characters and the supporting cast were suitably creepy.  It's a show that doesn't take itself too seriously and the image of Jimmy having a conversation with a talking teddy bear will stay with me for a long time.

I don't know how they were doing 4 shows a night. It was absolutely freezing - if anyone has earned a stiff drink or five, it's this cast and crew.